S2 E3: Old Photos
Dan and Paul reflect on the "chaos" of a creative life and the inevitable ebb and flow of productivity when balanced against family, university, and professional work. The conversation shifts from the guilt of a hiatus to the importance of embracing "asymmetry" in one's practice, eventually diving into the specific visual signatures of their local environments. Dan discusses his recent exhibition at the Copeland Gallery, specifically defending a photograph of a nondescript portacabin as a vital representation of the Medway landscape. They also explore the concept of "carnalgia," the pitfalls of nostalgic cliches in photography, and the artistic value of documenting the "monstrosities" of the present day—like the Fiat Multipla—for the benefit of the future.
Timestamps & Key Moments
00:01 – The hosts address their extended absence from the podcast, discussing how life, illness, and family demands often force creative projects to take a back seat.
07:45 – Paul and Dan discuss the "tide" of creativity, arguing that a lack of uniformity or a "predictable schedule" should be celebrated rather than seen as a failure.
13:20 – A look into experimental processes, including Dan’s attempts at charcoal drawing and "marble painting" using Indian ink and household objects.
18:55 – Dan breaks down the "visual signature" of Cuxton, explaining why a portacabin at blue hour represents the maturity of his photographic vision.
28:10 – The pair debate the merits of including modern cars in photography, suggesting that "boring" contemporary vehicles will eventually hold the same magic as those from the 1960s.
34:50 – A lighthearted proposal for a "Fiat Multipla Road Tour," involving a mobile darkroom and a weekend in Bognor Regis.
PEOPLE Mentioned
Books & Films Discussed
